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云泥
Parallel Convergences
艺术家
黄蓝，黄淼训，武一杉，袁松
Artist
Huang Lan, Huang Miaoxun, Wu Yishan, Yuan Song
展期 Duration 2021.6.26-8.11, 10:00-22:00
地点 芳草地画廊 北京市朝阳区东大桥路9号 侨福芳草地 B座LG2-K-14（100020）
Venue Parkview Green Art, No. K-14, LG2 Floor, B Tower, Parkview Green FangCaoDi, No. 9 Dongdaqiao Road, Chaoyang District, Beijing, China (100020)
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芳草地画廊荣幸呈现群展“云泥”，展出艺术家黄蓝、黄淼训、武一杉、袁松包括绘画、雕塑、装置在内的16件作品。
米歇尔·福柯在《词与物:人文科学的考古学》中介绍文艺复兴时期的一种认识论，认为寻找意义便是揭示事物的相似之处。有别于以表征为核心的古典认识论和基于历史的现代知识体系，相似论认为，世界秩序及事物交流的方式皆源于万物深层的亲缘相似，这一系统相信非常规或自然的关系。在相似论框架中，福柯概括了四种相似性，它们是: 近临（彼此相邻环环相扣的复杂关系），仿效（无法辨别的实体与投影），类推（空间中汇聚事物关系的一个点），交感（无法抑制的同化力与运动倾向）。
展览将四种相似性与四位艺术家的实践一一对应：袁松-近临，黄淼训-仿效，武一杉-类推，黄蓝-交感，作品呈现物的表征，相似性则“依循严格的秩序存于表征之下，尽管难以被命名、讲述和思考”。“云泥”试图拥抱相似论，通过事物间看似紊乱的路径与意外的交往获取一些新灵感。展览从2021年6月26日持续至8月11日。
Parkview Green Art is honoured to present the exhibition Parallel Convergences. The show displays 16 works spanning paintings, sculptures and installations from four artists: Huang Lan, Huang Miaoxun, Wu Yishan, Yuan Song.
Michel Foucault in his work The Order of Things: An Archaeology of the Human Sciences introduces the theory of Renaissance’s knowledge, according to which the search for meaning is based on unveiling similitudes among things. Breaking away from the classic episteme focused on the representation of things and from the modern system of thinking based on history, the theory of similitudes is based on the idea that the world’s order and the exchange method among things derive from the profound similarities among things: this knowledge system is based on non-conventional and natural connections. Within the framework of the theory of similitudes, Foucault introduces four kinds of similitudes: convenience (a complex set of interconnected relationships), emulation (a series of entities and projections which are impossible to distinguish), analogy (a point in the space where things converge), sympathy (an unrestrained tendency to assimilation and movement).
The exhibition displays the artistic praxis and language of four artists engaged in presenting to the viewers topics related to these four similitudes. Yuan Song represents the notion of convenience, Huang Miaoxun addresses the emulation, Wu Yishan describes the analogy and Huang Lan reflects upon the concept of sympathy. The artworks reflect the representations of things, while the notion of similitude, following a strict order, exists below the level of representation. The concept of similitude is difficult to define, to describe and to conceive. The exhibition Parallel Convergences tries to address the notion of similitude, while seeking new forms of inspiration by exploring apparently chaotic channels and unexpected connections among things. The show will open on the 26th of June and will run until the 11th of August.
___________________
云泥
Parallel Convergences
艺术家
黄蓝，黄淼训，武一杉，袁松
Artist
Huang Lan, Huang Miaoxun, Wu Yishan, Yuan Song
展期 Duration 2021.6.26-8.11, 10:00-22:00
地点 芳草地画廊 北京市朝阳区东大桥路9号 侨福芳草地 B座LG2-K-14（100020）
Venue Parkview Green Art, No. K-14, LG2 Floor, B Tower, Parkview Green FangCaoDi, No. 9 Dongdaqiao Road, Chaoyang District, Beijing, China (100020)
___________________
芳草地画廊荣幸呈现群展“云泥”，展出艺术家黄蓝、黄淼训、武一杉、袁松包括绘画、雕塑、装置在内的16件作品。
米歇尔·福柯在《词与物:人文科学的考古学》中介绍文艺复兴时期的一种认识论，认为寻找意义便是揭示事物的相似之处。有别于以表征为核心的古典认识论和基于历史的现代知识体系，相似论认为，世界秩序及事物交流的方式皆源于万物深层的亲缘相似，这一系统相信非常规或自然的关系。在相似论框架中，福柯概括了四种相似性，它们是: 近临（彼此相邻环环相扣的复杂关系），仿效（无法辨别的实体与投影），类推（空间中汇聚事物关系的一个点），交感（无法抑制的同化力与运动倾向）。
展览将四种相似性与四位艺术家的实践一一对应：袁松-近临，黄淼训-仿效，武一杉-类推，黄蓝-交感，作品呈现物的表征，相似性则“依循严格的秩序存于表征之下，尽管难以被命名、讲述和思考”。“云泥”试图拥抱相似论，通过事物间看似紊乱的路径与意外的交往获取一些新灵感。展览从2021年6月26日持续至8月11日。
Parkview Green Art is honoured to present the exhibition Parallel Convergences. The show displays 16 works spanning paintings, sculptures and installations from four artists: Huang Lan, Huang Miaoxun, Wu Yishan, Yuan Song.
Michel Foucault in his work The Order of Things: An Archaeology of the Human Sciences introduces the theory of Renaissance’s knowledge, according to which the search for meaning is based on unveiling similitudes among things. Breaking away from the classic episteme focused on the representation of things and from the modern system of thinking based on history, the theory of similitudes is based on the idea that the world’s order and the exchange method among things derive from the profound similarities among things: this knowledge system is based on non-conventional and natural connections. Within the framework of the theory of similitudes, Foucault introduces four kinds of similitudes: convenience (a complex set of interconnected relationships), emulation (a series of entities and projections which are impossible to distinguish), analogy (a point in the space where things converge), sympathy (an unrestrained tendency to assimilation and movement).
The exhibition displays the artistic praxis and language of four artists engaged in presenting to the viewers topics related to these four similitudes. Yuan Song represents the notion of convenience, Huang Miaoxun addresses the emulation, Wu Yishan describes the analogy and Huang Lan reflects upon the concept of sympathy. The artworks reflect the representations of things, while the notion of similitude, following a strict order, exists below the level of representation. The concept of similitude is difficult to define, to describe and to conceive. The exhibition Parallel Convergences tries to address the notion of similitude, while seeking new forms of inspiration by exploring apparently chaotic channels and unexpected connections among things. The show will open on the 26th of June and will run until the 11th of August.